{"id":1592,"date":"2017-11-30T17:13:03","date_gmt":"2017-11-30T16:13:03","guid":{"rendered":"https:\/\/chiarifoundationbcn.com\/en\/?page_id=1592"},"modified":"2017-11-30T17:28:21","modified_gmt":"2017-11-30T16:28:21","slug":"rita-capobianco-2","status":"publish","type":"page","link":"https:\/\/chiarifoundationbcn.com\/en\/personal-projects-cssf\/rita-capobianco-2\/","title":{"rendered":"RITA CAPOBIANCO"},"content":{"rendered":"

Italian Rita Capobianco<\/strong> moved the audience at the Theatre San Luigi Guanella with her show \u201cTutta colpa die Arnold\u201d (\u201cIt\u2019s all Arnold\u2019s fault\u201d)<\/a>; the play was written, directed and interpreted by herself with original music by Angelo Donzelli. The play, written an interpreted by this ICSEB patient premiered in March 2017 in Rome. Seven months later, the successful piece performed by this actress, dancer, presenter and author of theatre texts was again on stage in the same city at the 2nd Cultural Event of the Chiari & Scoliosis & Syringomyelia Foundation<\/a>.<\/p>\n

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Rita Capobianco is an actress, dancer, presenter and author of theatrical works. Her career as an artist started in 1978, when she joined the\u00a0Camomilla<\/em>,band, a product of\u00a0Bottega dell\u2019Arte<\/em>, connected to the Italian record company\u00a0Ricordi<\/em>. In 1980 she started her adventure with the\u00a0Bagaglino<\/em>\u00a0theatre, which lasted 9 years and was marked by participations in shows at\u00a0Salone Margherita<\/em>, TV programmes like Per chi\u00a0suona la campanella<\/em>\u00a0and\u00a0Biberon<\/em>, written by Pier Francesco Pingitore and Mario Castellacci and directed by Pingitore. When her experience with the Bagaglino got to an end, she continued working in theatres, directed by Vito Molinari, Edmo Fenoglio, Franco Mol\u00e8, Gianni Leonetti, Vincenzo Zingaro, Cinzia Berni and many more. Between tours, she presented various theatre festivals and \u201cMiss Italia 1996\u201d province selections in Sicily.<\/p>\n

In the movies, she played the role of Salom\u00e9 in Secondo\u00a0Ponzio Pilato<\/em>\u00a0(According to Pontius Pilate) by Luigi Magni; she was Ada, Giannino\u2019s sister in the film\u00a0Gian Burrasca<\/em>\u00a0and Licio Belli\u2019s secretary in\u00a0Attenti a quei P2<\/em>\u00a0(Beware those P2) by Pier Francesco Pingitore. As a dancer she participated in Sergio Leone\u2019s\u00a0C\u2019era una volta in America<\/em>\u00a0(Once upon a time in America), in Fred e Ginger directed by Federico Fellini and\u00a0Un uomo innamorato<\/em>\u00a0(A man in love) directed by Diane Kurys. She was part of the dance teams in\u00a0Drive In, Piccolo Slam (Little slam), La luna nel pozzo<\/em>\u00a0(The moon in the well), Viva le donne (Long live women), as well as in the permanent cast of Fantastico (1984). As a guest, she took part in Italian TV programmes like\u00a0Sereno Variabile, Domenica in, Cocco, Dieci Herz, Pronto \u00e8 la Rai, Ieri, Goggi e domani, Buona domenica, I fatti vostri, Stasera Lino, Telegatto and I Siculissimi<\/em>.
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\nIn television, she played Rosaura in the kids\u2019 movie Pinocchio, a secretary in the \u201cLaziness\u201d episode of the film\u00a0Di che peccato sei<\/em>\u00a0(Which is your sin) by P.F. Pingitore, a psychologist in the fiction\u00a0Una madre detective<\/em>\u00a0(A detective mother), directed by Fabrizio Costa. Amongst her multiple artistic experiences, there\u2019s a collaboration with the magician Silvan and participations in TV selling and TV ads.
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\nAfter her graduation in Modern Literatures, she tests herself as author and director of a couple of theatre works, which she directed and interpreted:\u00a0La rima ti fa bella<\/em>, a piece with puppets that she built, and\u00a0Tutta colpa di Arnold<\/em>\u00a0<\/a>(All because of Arnold), a grotesque monologue with music by Angelo Donzelli, in which she goes through her experience with the rare disease called Arnold-Chiari I Syndrome.<\/p>\n

Synopsis of Tutta colpa di Arnold (All because of Arnold)<\/strong><\/p>\n

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The perception of time going by and the grotesque tones are key elements in the unfolding monologue. The protagonist and author describes the private drama of each person affected by Arnold-Chiari I Syndrome. The story develops through various steps, that show how the protagonist is gradually and seamlessly swept away by an alienating reality, unaware victim of a journey to herself. In this monologue, the reconstruction of symbols employed by the author come together in a masterpiece, split between an oppressive reality and a struggle for rebirth.
\n(Alessia Capobianco)<\/p>\n<\/div>\n<\/div>\n

LINK OF VIDEO<\/a><\/p>\n

ritacapobianco@libero.it<\/em><\/a>
\nfacebook.com: Tutta colpa di Arnold<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Italian Rita Capobianco moved the audience at the Theatre San Luigi Guanella with her show \u201cTutta colpa die Arnold\u201d (\u201cIt\u2019s all Arnold\u2019s fault\u201d); the play was written, directed and interpreted by herself with original music by Angelo Donzelli. The play, written an interpreted by this ICSEB patient premiered in March 2017 in Rome. Seven months…  <\/p>\n

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